Soutines Portraits (inbunden)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
144
Utgivningsdatum
2017-05-31
Förlag
Paul Holberton Publishing Ltd
Illustratör/Fotograf
80 colour illus
Illustrationer
80 colour illus.
Dimensioner
259 x 216 x 15 mm
Vikt
636 g
Antal komponenter
1
ISBN
9781911300212

Soutines Portraits

Cooks, Waiters and Bellboys

av Karen Serres, Barnaby Wright
Häftad,  Engelska, 2017-05-31
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Accompanying a major exhibition at the Courtauld Gallery that focuses upon one of Chaim Soutines most important series of portraits of cooks, waiters and bellboys this is the first time that this outstanding group of masterpieces has ever been brought together. Chaim Soutine (18931943) produced some of the most powerful and expressive portraits of modern times. His ability to capture in paint the character, humanity and emotion of his sitters is the hallmark of Soutines greatest work. The major exhibition at the Courtauld Gallery, London, focuses upon one of his most important series of portraits; his paintings of cooks, waiters and bellboys who sat for him in Paris and the South of France during the 1920s. These works helped to establish Soutines reputation as a major avant-garde painter, seen by many as the twentieth century heir to van Gogh. This will be the first time that this outstanding group of masterpieces has ever been brought together and it will be the first exhibition of Soutines work in London for over thirty years. Soutine arrived in Paris as an migr from Russia in 1913 and began a precarious existence as a penniless artist in Montparnasse living among fellow painters, such as Marc Chagall and Amedeo Modigliani. As part of this avant-garde coterie of artists, Soutine developed a highly original style that combined an expressive handling of paint with deep reverence for the Old Masters that he studied in the Louvre. His portraits often appear both timeless and vividly modern. These qualities are exemplified by the series of paintings of cooks, waiters and bellhops that he produced during the 1920s. These lowly and often-overlooked figures from Pariss fashionable hotels and restaurants, including the famous Maxims, appealed to Soutines sense that profound emotion and a deep sense of humanity could be found in such humble sitters. The contrast between their working uniforms and the individuality of their faces adds to the emotional charge of these extraordinary portraits. Soutine strived to achieve the most powerful effects of color from the bold whites, reds and blues of their different uniforms. When he started the series, Soutine was living in near-poverty as a struggling artist. These portraits helped to lift him out of these desperate circumstances as they were soon admired by friends and become prized by collectors. Today, they are considered among his greatest achievements. This publication will bring together the most comprehensive group of these portraits. It will be a unique opportunity to experience the power and profound emotion of Soutines art.

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Recensioner i media

"A superb, unsettling show" --The Arts Desk "A rare and remarkable series of studies that reflect the tensions between the anonymity and the individuality of the serving class."--The Telegraph "A savagely attentive painter." --The Independent "A strikingly modern series of portraits, 21 of which ... [that] established his reputation ... the artist's broad, Expressionist brushstrokes capture the individuality of each anonymous sitter, through posture, the suggested wrinkle of a frown, the downturn of a waiting maid's eyes."--Art Quarterly, Autumn 2017 "Chaim Soutine's worker portraits are superb ... a little gem of a show." --The Times "Crushed into uniforms, forced to play one part or another on the social stage, the vulnerable, meaty essence of humanity keeps spilling out. Painting between two European wars that reduced people first to cattle then to ash, Soutine celebrates the rawness of our shared predicament."--The Guardian "Excellent essays"--London Review of Books "Excellent survey"--The Wall Street Journal "Featuring color art on every page ... [Soutine's Portraits: Cooks, Waiters & Bellboys] sets the portraits within the context of Soutine's artistic life and development and the particular culture of French art during the years after WWI."-- (05/01/2018) "Given his lowly background, it's no surprise that when Soutine turned his hand to portraiture, he took Paris's humble service staff as his subjects ... these portraits are very much alive."--New York Review of Books "Marvellous ... of art-historical importance, but even more it demonstrates a triumph of imagination and human empathy, from a period of social extremes not so unlike our own."--Financial Times "Marvellous ... there's a lot of pathos in this show. A lot of projection. But what it is most full of is blasts of pictorial courage that make the efforts of other painters of the epoch feel tepid."--The Sunday Times "Outstanding group of portraits ... these portraits played a key role in establishing Soutine's reputation ... and today are considered among his greatest achievements." --The Oldie "Powerful images of a new social class of service personnel ... considered among his greatest achievements." --Apollo "These figures take centre-stage in the dark theatre of Soutine's art, with its urgent and expressive distortions. He sees the profundity in the humblest of sitters."--RA Magazine, Autumn 2017 "This fascinating exhibition brings together for the first time Soutine's portraits of the patissiers, chefs, butchers, waiters, grooms, valets, bellhops and chambermaids of France's grand hotels and restaurants in the boom years between the wars."--The Spectator "Touching collection of portraits" --Town and Country "Tremendous ... the show is its own knockout experience requiring no explanations if you are at all intrigued by painters painting. But the catalogue adds a layer of fascination."--Evening Standard "Welcome to the hotel of your nightmares. ... at their brilliant best, the figures he creates are all compressed and shrunken, moments from bursting out in anger. You might be a guest here, but you can't help feeling a little unwelcome."--Time Out

Övrig information

Schroder Foundation Curator of Paintings, The Courtauld Gallery.

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